Something Kinda Midnight Or

Something Kinda Midnight Or is a piece for Bassoon and Piano that I wrote for my bassoon playing younger sister’s final University recital.

Something Kinda Midnight Or

It’s the only instrumental piece I’ver composed that has actually been played by other people, and it’s one of my musical accomplishments I’m most proud of.

I’m possibly maybe thinking of arranging a full band version of this: bassoon, piano, guitar, bass, drums, electronic noises. Possibly. Maybe.

Here are the silly things I wrote for the programme:

Something Kinda Midnight Or was inspired partly by a melody I wrote for a compositional exercise at university, and partly by my lazy decision to steal ideas from all the music I had been listening to.

This included, in no particular order, a piece by Hindemith, the heavy metal band Megadeth, and several progressive rock pieces.

The piece has a vaguely rondoish form that intersperses an accessible, regular melody with episodes of angular silliness. In keeping with the progressive rock songs I ‘borrowed’ from, the episodes include frequent time signature changes, and chromatic ‘power chord’ like basslines, the aim being to create accessible music from unusual rhythmic ingredients.

The title doesn’t mean much, except that it made me laugh.

Tom Slatter, 2007, Madagascar.”

Last Sunlight

Last Sunlight (a song that Twitter helped to write)

<a href="http://tomslatter.bandcamp.com/track/last-sunlight">Last Sunlight by Tom Slatter</a>

Maybe we’ll surface soon,
Under a winter moon,
Thaw must have left weakness.

Maybe we’ll freeze again
Awaiting the summer rain,
Ice in our veins.

A ship sails on a solid sea
A perfect place for you and me
A moondial turns until we move again

Last sunlight for six months
Last movement this year.

Last Sunlight Fading
Ice in our veins

Ben Steed – Distorted Skies

Via the Brass Goggles forum, I stumbled across Been Steed’s ‘Distorted Skies’.

<a href="http://bensteed.bandcamp.com/album/distorted-skies">Time Will Erode Us (I&#8217;ll Be Waiting) by Ben Steed</a>

I’m listening to it for the first time as I type, and I really like it. It’s very much a ‘mood’ album, all ominous drones, muffled piano and twisting layers. There are some genuinely interesting note choices, for instance at the end of the opening track Time Will Erode Use (I’ll Be Waiting).

Steampunk? In parts. The Conspirator opens with a lovely broken-music hall groove that stays on the same chord for too long (in a very good way), and there’s a sitar intro later on that’s very steampunk in a British Empire, last days of the Raj fashion.

The mix of electronica, piano and distorted vocals on Distorted Skies evokes a wonderfully dark mood and I would heartily recommend it as the perfect accompaniment to the few winter nights we’ve (hopefully) got left this year.

Steampunk Music – Moth

My new favourite Steampunk music discovery is Moth, a band from the UK.

Here’s a video for the song Tree Snow. The music is vaguely gothy minor key pop rock with a lovely chorus hook and even a proper pop song key change at one point. The video is all quirky steam-powered robot fun.

They have a (rather confusing flash driven) website, and can be found on CDbaby. Definitely worth a listen to.

Steampunk Music by Other People

Thanks to Brass Goggles and the Clock Workers Guild Journal, I have discovered two lovely Steampunk musical ensembles:

Sunday Driver  ‘make music with a harp, a sitar, some guitars, some clarinets, tablas and whatever we can get our grubby mitts on.’

Their latest album ‘In the City of Dreadful Night’ is a pure delight. Rats is probably my favourite track, but possible not, as the two tracks after it are also fantastic. As is every other track that I’ve listened to.

RPM Orchestra is less accesible – electroacoustic found recordings and soundscapes rather than the vocal-centric Sunday Driver. That doesn’t make it any less worthwhile though.


RPM Orchestra – (Excerpt from) Symphony No. 7

RPM Orchestra | MySpace Music Videos